6 min readVSNRY Motion

What Is AI Commercial Production?

AI VideoProduction ProcessDubai

AI commercial production makes commercials by generating footage in place of filming some shots, while we direct the film shot by shot. This article explains our directed pipeline and the questions to bring to the brief.

What the phrase means

AI commercial production is a way of making commercials where generation replaces filming for many shots, not a way to avoid direction. We write shot sheets that fix blocking, lensing, lighting and continuity so the finished piece reads as a directed film rather than a sequence of attempts.

The same directed pipeline applies to a single spot or to a campaign that ships in different markets and shapes. Masters are planned for the placements they will run in, not cropped afterwards. See how each line of work runs through the system at our services.

It is not a claim that everything can be generated. Some briefs require a named person, a single event to be recorded, or footage approved by a rights holder. We make that call at the brief because it changes the route more than anything else.

How we make a commercial

We begin with the brief and agree the creative approach at treatment, the cheapest point to change direction. From there we break the story into sequences and build each shot from structured prompts, then produce versions to review against one another. The method is six stages: brief, treatment, shot design, production, review and finish. Each stage sets what the next one can do.

Production runs from JSON driven prompt control, with reference sheets that hold characters steady and frame accurate lip sync that matches dialogue to picture. You do not need to be involved while production runs unless something in the brief changes. That technical control preserves continuity across shots and makes language versions work without recasting.

Review is done by comparing versions side by side rather than committing on the day, and the chosen pass moves to finish and master delivery. We grade, lock logos and deliver the masters in the aspect ratios and formats agreed at the brief. If you want to see generated masters and the shot sheets that made them, look at the work.

Where AI helps in the pipeline

AI is the part of the pipeline that generates frames and language versions at scale. It replaces the camera and crew for a great deal of visual and lip synced output, so one concept can yield masters in multiple formats. Our creative direction and finishing remain separate from the computing that produces the footage.

To compare the computing side with a traditional Dubai shoot, use the Every Market Calculator. It sets published shoot ranges against the computing and the lip synced dubbing cost only, and shows the source of every figure it uses at the calculator in dirhams.

The calculator is a comparison tool, use it to see how extra formats or languages add cost rather than as a written quote. For a studio figure, send the brief so the work can be priced and confirmed. The tool also shows how every extra language or format increases both the computing passes and the skilled hours behind them.

When a real shoot is still the right answer

Generated footage cannot replace a real shoot when a named person must appear, when an event must be recorded, when a product must be shown exactly, or when approvals require actual footage. That is the question we resolve at the brief and it changes the route more than almost anything else.

On some projects we substitute generated footage; on others the brief calls for a shoot. The services and pricing pages make the same point: whether anything has to be filmed for real is one of the four things that moves the number.

If you want certainty about whether a shoot is needed, ask in writing what that would add to schedule and budget and start the conversation via the project brief form or a short message at the brief. Decisions made at the brief feed every later stage.

Pricing and the calculator

We do not publish a rate card because a film is priced from what it has to do. Four things decide the cost: how long the finished piece is, how many languages it ships in, how many formats it ships in, and whether anything has to be filmed for real.

The Every Market Calculator compares published Dubai shoot ranges to the computing cost of generating the same film and names every source it uses. It runs entirely in your browser and sends nothing while you use it. Remember that the computing column omits the studio's own work and fee. Every number shows the published line it came from.

A reliable figure comes after the brief conversation. Nothing is quoted before it because until the piece is described there is nothing to price. When you want a number you can rely on, ask for the written confirmation we send once the brief is agreed.

Responsible production and rights you should check

Responsible production starts with human creative direction. Every project is directed by a human creative lead and is not generated and shipped unreviewed. What counts as final, who may sign off and how supplied files are retained are matters we agree project by project.

Brand assets you supply are used only for your project. We do not train models on client supplied assets and we do not reuse them on another client's work. There is no standard retention rule yet, so file storage and deletion are agreed in each contract. There is no standard consent form for likeness or voice, so where a real person's likeness or voice is required, documented permission must be in hand before production.

When you brief a project, ask for these points in writing: who cleared every music track, what licence you receive for masters, how likeness permissions are documented, which platform licences affect use, and how long supplied files are retained. Our responsible production page names these areas as not yet settled in standard contract clauses.

Sources

Common questions

How does VSNRY Motion define AI commercial production?
It is a commercial in which every shot is designed in writing and then generated rather than filmed, with our director deciding blocking, lensing, lighting and continuity on shot sheets before a single frame is made.
Who directs the work?
Every project runs through our creative director from first prompt to master delivery. You work with the director rather than a team of generalists.
Which languages can a campaign run in?
We make films in English and German, with frame accurate lip sync so a campaign can run in more than one language without being recast and filmed again.
How is a project priced?
We price projects from the brief and confirm them in writing before anything starts. We do not publish a rate card because the four things that move the number must be set at the brief.
What should I ask about rights, provenance and music?
Ask in writing who cleared each music track, what licence you receive for the masters, which platform licences affect use, how likeness permissions are documented, and how long supplied files are retained.

More notes

Working on something like this?

These notes describe how the studio runs its own productions. If you have a piece that needs the same discipline, send the brief over. Nothing is committed and nothing is quoted at that stage.

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