6 min readVSNRY Motion

Is A Property Film Ready For The Portals?

Real EstateDeliveryDubai

A property film is only ready for portals or an event once the brief records the portals, formats, languages and any event hardware, and the delivery spec and acceptance criteria are confirmed in writing. List portal shapes, caption and audio needs, and a playback test date when you brief us so finished masters match each destination.

Why portals and events are different

Portals and launch events need different files and tolerances and should not be treated as interchangeable. Our method sets formats and aspect ratios at the brief, so the pack of versions is planned from the start. Treating portal deliverables and an event playback as the same handoff invites last minute rework and technical failure.

Start at the brief. The project brief asks where the piece runs and in which formats and languages, and nothing is committed at that stage. Use the project brief to list portals, aspect ratios and any event screen specs so format, caption and language requirements are settled before production begins.

The Every Market Calculator shows how versions add up and compares published Dubai shoot ranges with the computing and dubbing cost of generating footage. Remember the computing column omits our own work and fee, so treat the tool as a planning aid you can use before the brief conversation.

What the studio delivers

Our services page states that we supply a colour graded master with logo lock up, in the formats and aspect ratios agreed at the brief. That handover is what decides whether a file meets a portal or an event, because format, language and shape are settled at the brief rather than at finish.

Decide language at the brief. We work in English and German with frame accurate lip sync so a campaign can run in more than one language without recasting and reshooting. Specify which captions, voice tracks and subtitle files each portal needs when you fill the brief to avoid late localisation work.

Every sequence is broken into directed shot sheets before a single frame is generated, and versions are produced and compared side by side rather than committed to on the day. Use your review window to choose which version goes forward; that choice is the point where the file for delivery is locked in writing.

Technical checklist for portals and events

Our responsible ai production page is a working draft and does not publish a per file technical checklist for portal codecs, maximum sizes or event playback specs. Because those items are not listed, record every technical requirement for each portal and venue in the brief in writing.

That page also notes there is no written approval procedure, and that practice such as consent forms, retention rules and rights clearance are not yet documented. Because of those gaps, have music licences, permits and any provenance metadata attached to the brief and contractual agreement before finishing.

When you write the brief, ask for an itemised delivery spec: master codec, bitrate, finished resolutions and aspect ratios, labelled transcodes per portal, caption files, audio stems, a playback test file, checksums and a delivery method. Also name who signs technical acceptance and when so acceptance is not left ambiguous at handover.

Legal, localisation and permissions

Music has to be cleared for the use it is going into. If the property film uses licensed music, record which licence covers portal publication and paid placements before the master is finalised. Put that clearance in the project contract rather than assuming it will be settled at delivery.

Where a project needs a real person's likeness or voice deliberately, that needs their documented permission in hand before production rather than after. We have not drafted a standard consent form, so supply written permission and attach it to the contract before any likeness or recorded voice is used.

If the plan includes a real shoot or live coverage at a venue, check permits and private location fees early. The calculator notes Dubai Film and TV Commission public permit costs, and filming inside a private development is charged separately and can reach high daily rates. Book clearances early and record fees in the brief.

Timing and playback tests

Start the timeline at the brief and schedule a technical sign off well before the launch. The project brief says our creative director reads it and replies within 24 hours. Add a playback acceptance window and a date for delivery of test files so uploads and venue checks are not left to the last minute.

Nothing leaves our studio without the director looking at it. Use the review window to confirm which version you intend to upload or hand to the venue; that confirmation should be recorded in writing before finish and delivery. Every project is directed by a human creative lead who decides blocking, lensing and continuity.

Our pages do not publish a venue playback checklist, so put specific delivery formats into the brief: DCP or H.264/HEVC transcodes, labelled audio stems, a screened playback test file and a backup USB or cloud copy. Also name who will test on the venue hardware and when so responsibilities are clear.

How to lock the file for portals and the event

Make the delivery spec a question on the brief and ask for written confirmation of the acceptance criteria. Use the project brief to list portals, codecs, captions and the event format, and ask the creative director to confirm the technical acceptance criteria and the delivery method in writing before finish and delivery.

Agree who can sign technical acceptance and what counts as final in the project contract. Also record how long we keep masters and supplied files and what happens to them when the project ends, rather than leaving it to assume.

Before handover, request labelled masters with checksums, delivery receipts, thumbnails and the exact metadata each portal requires. Make sure the handed masters match the transcodes set out in the written delivery spec, and insist on a backed up copy so no one is left scrambling at show time.

Sources

Common questions

Can you deliver the film in the ratios portals require?
Format and aspect ratio requirements are set at the brief. We supply finished masters in the aspect ratios and formats agreed at that stage. List the portal shapes when you file the brief so they are included in the masters.
Can you produce versions in other languages with matching lip sync?
We work in English and German, and frame accurate lip sync is part of the pipeline so a campaign can run in more than one language without recasting or reshooting. Specify additional languages and captions at the brief so localisation is planned from the start.
Will you clear the music and audio rights for portal publication?
Music must be cleared for the use it is going into. We have not published a rights clearance process. Legal clearances and licences for portal publication should be recorded in the project contract rather than assumed.
How soon before the event should we schedule technical sign off?
Set a playback acceptance window at the brief and allow time for a screened playback test. Our creative director reads the brief and replies within 24 hours, and the delivery timeline and sign off date are agreed at the brief.
Who signs off the final master and what counts as final?
There is no published standard approval procedure. Agree in writing who is entitled to approve on the client's behalf and what counts as technical acceptance before finishing and delivery, and record it in the project contract.

More notes

Working on something like this?

These notes describe how the studio runs its own productions. If you have a piece that needs the same discipline, send the brief over. Nothing is committed and nothing is quoted at that stage.

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